the face and the want

One abstraction, one circle, two dots and a mouth, and a single want written in its own voice. The structure around it stays exactly as it was. The want is the whole treatment, so it has to be one sentence, and it has to be the sentence that makes the thing predictable. Give it two wants and the reader stops tracking it as a character and starts reading it as a mood.

One abstraction, one circle, two dots and a mouth, and a single want written in its own voice. The structure around it stays exactly as it was. The want is the whole treatment, so it has to be one sentence, and it has to be the sentence that makes the thing predictable. Give it two wants and the reader stops tracking it as a character and starts reading it as a mood.

Example

Best when one idea keeps sliding off the reader and you need a handle they can carry into the next conversation.