The same span cut into a few panels, one per phase, each drawn as a small scene rather than a label. A phase earns a panel only when the world inside it looks different from the panel before. Two things come free: a reader can see the change instead of taking it on trust, and naming a phase forces you to say when it started and when it ended.
Ask whether people who knew they were being measured changed what they did or what they reported. Someone gamed the metric, hid something, timed an action, or shaded a number. Add this rival only when a human has a motive and a lever.
Bent Flyvbjerg's term for the systematic, deliberate distortion of costs, benefits, and risks in project proposals—lying about project prospects to get them approved
The organizational state where analysis, debate, and planning substitute for action, often disguised as 'being thorough' or 'de-risking.' Strategic paralysis emerges from a specific cocktail: uncertainty about the right…
Beyond the logical fallacy: the practical pattern of misrepresenting someone's position, addressing the misrepresentation, and then claiming to have refuted the original position
The observational bias of searching for something only where looking is easiest, not where the thing is most likely to be—named after the joke of a drunk looking for keys under a streetlight because 'the light is better…
A duplicate entry of the Streetlight Effect emphasizing the organizational and strategic dimension: institutions systematically study, fund, and address problems that are easy to investigate rather than problems that mat…
The strategic principle that strength is only valuable when DEPLOYED—latent capabilities, unexercised advantages, and passive superiority produce no results
Under extreme stress, the prefrontal cortex (rational decision-making) partially shuts down while the amygdala (threat response) takes over, producing dramatically worse judgment
The Stress-Recovery Balance model, derived from both exercise physiology and organizational psychology, proposes that growth and high performance require deliberate alternation between stress (demanding activity that exc…
Three frames in a row, drawn as identically as you can manage, with exactly one thing changed between them. The claim lives in the change, and usually in the third frame. A strip says what a single panel cannot, which is that something recurs, escalates, or ends up back where it started. Keep the rest of the drawing the same on purpose, because any variation you introduce will be read as meaningful.
Robert Fritz's concept that most people are caught between two competing internal structures: the desire to create what they want and a belief that they can't have it or don't deserve it
Break the thing into its component parts and ask which single part you could study on its own. You are looking for pieces and materials, not timing, people, or purpose. Each part becomes a candidate unit to analyze instead of the whole.